# Yes I know it!

Note: A long update was posted on 12th December 2017, 11:35 IST.

This post is spurred by my browsing of certain twitter feeds of certain pop-sci. writers.

The URL being highlighted—and it would be, say, “negligible,” but for the reputation of the Web domain name on which it appears—is this: [^].

I want to remind you that I know the answers to all the essential quantum mysteries.

Not only that, I also want to remind you that I can discuss about them, in person.

It’s just that my circumstances—past, and present (though I don’t know about future)—which compel me to say, definitely, that I am not available for writing it down for you (i.e. for the layman) whether here or elsewhere, as of now. Neither am I available for discussions on Skype, or via video conferencing, or with whatever “remoting” mode you have in mind. Uh… Yes… WhatsApp? Include it, too. Or something—anything—like that. Whether such requests come from some millionaire Indian in USA (and there are tons of them out there), or otherwise. Nope. A flat no is the answer for all such requests. They are out of question, bounds… At least for now.

… Things may change in future, but at least for the time being, the discussions would have to be with those who already have studied (the non-relativistic) quantum physics as it is taught in universities, up to graduate (PhD) level.

And, you have to have discussions in person. That’s the firm condition being set (for the gain of their knowledge 🙂 ).

Just wanted to remind you, that’s all!

Update on 12th December 2017, 11:35 AM IST:

I have moved the update to a new post.

A Song I Like:

(Western, Instrumental) “Berlin Melody”
Credits: Billy Vaughn

[The same 45 RPM thingie [as in here [^], and here [^]] . … I was always unsure whether I liked this one better or the “Come September” one. … Guess, after the n-th thought, that it was this one. There is an odd-even thing about it. For odd ‘n” I think this one is better. For even ‘n’, I think the “Come September” is better.

… And then, there also are a few more musical goodies which came my way during that vacation, and I will make sure that they find their way to you too….

Actually, it’s not the simple odd-even thing. The maths here is more complicated than just the binary logic. It’s an n-ary logic. And, I am “equally” divided among them all. (4+ decades later, I still remain divided.)… (But perhaps the “best” of them was a Marathi one, though it clearly showed a best sort of a learning coming from also the Western music. I will share it the next time.)]

[As usual, may be, another revision [?]… Is it due? Yes, one was due. Have edited streamlined the main post, and then, also added a long update on 12th December 2017, as noted above.]

# Blog-Filling—Part 3

Note: A long Update was added on 23 November 2017, at the end of the post.

Today I got just a little bit of respite from what has been a very tight schedule, which has been running into my weekends, too.

But at least for today, I do have a bit of a respite. So, I could at least think of posting something.

But for precisely the same reason, I don’t have any blogging material ready in the mind. So, I will just note something interesting that passed by me recently:

1. Catastrophe Theory: Check out Prof. Zhigang Suo’s recent blog post at iMechanica on catastrophe theory, here [^]; it’s marked by Suo’s trademark simplicity. He also helpfully provides a copy of Zeeman’s 1976 SciAm article, too. Regular readers of this blog will know that I am a big fan of the catastrophe theory; see, for instance, my last post mentioning the topic, here [^].
2. Computational Science and Engineering, and Python: If you are into computational science and engineering (which is The Proper And The Only Proper long-form of “CSE”), and wish to have fun with Python, then check out Prof. Hans Petter Langtangen’s excellent books, all under Open Source. Especially recommended is his “Finite Difference Computing with PDEs—A Modern Software Approach” [^]. What impressed me immediately was the way the author begins this book with the wave equation, and not with the diffusion or potential equation as is the routine practice in the FDM (or CSE) books. He also provides the detailed mathematical reason for his unusual choice of ordering the material, but apart from his reason(s), let me add in a comment here: wave $\Rightarrow$ diffusion $\Rightarrow$ potential (Poisson-Laplace) precisely was the historical order in which the maths of PDEs (by which I mean both the formulations of the equations and the techniques for their solutions) got developed—even though the modern trend is to reverse this order in the name of “simplicity.” The book comes with Python scripts; you don’t have to copy-paste code from the PDF (and then keep correcting the errors of characters or indentations). And, the book covers nonlinearity too.
3. Good Notes/Teachings/Explanations of UG Quantum Physics: I ran across Dan Schroeder’s “Entanglement isn’t just for spin.” Very true. And it needed to be said [^]. BTW, if you want a more gentle introduction to the UG-level QM than is presented in Allan Adam (et al)’s MIT OCW 8.04–8.06 [^], then make sure to check out Schroeder’s course at Weber [^] too. … Personally, though, I keep on fantasizing about going through all the videos of Adam’s course and taking out notes and posting them at my Web site. [… sigh]
4. The Supposed Spirituality of the “Quantum Information” Stored in the “Protein-Based Micro-Tubules”: OTOH, if you are more into philosophy of quantum mechanics, then do check out Roger Schlafly’s latest post, not to mention my comment on it, here [^].

The point no. 4. above was added in lieu of the usual “A Song I Like” section. The reason is, though I could squeeze in the time to write this post, I still remain far too rushed to think of a song—and to think/check if I have already run it here or not. But I will try add one later on, either to this post, or, if there is a big delay, then as the next “blog filler” post, the next time round.

[Update on 23 Nov. 2017 09:25 AM IST: Added the Song I Like section; see below]

OK, that’s it! … Will catch you at some indefinite time in future here, bye for now and take care…

A Song I Like:

(Western, Instrumental) “Theme from ‘Come September'”
Credits: Bobby Darin (?) [+ Billy Vaughn (?)]

[I grew up in what were absolutely rural areas in Maharashtra, India. All my initial years till my 9th standard were limited, at its upper end in the continuum of urbanity, to Shirpur, which still is only a taluka place. And, back then, it was a decidedly far more of a backward + adivasi region. The population of the main town itself hadn’t reached more than 15,000 or so by the time I left it in my X standard; the town didn’t have a single traffic light; most of the houses including the one we lived in) were load-bearing structures, not RCC; all the roads in the town were of single lanes; etc.

Even that being the case, I happened to listen to this song—a Western song—right when I was in Shirpur, in my 2nd/3rd standard. I first heard the song at my Mama’s place (an engineer, he was back then posted in the “big city” of the nearby Jalgaon, a district place).

As to this song, as soon as I listened to it, I was “into it.” I remained so for all the days of that vacation at Mama’s place. Yes, it was a 45 RPM record, and the permission to put the record on the player and even to play it, entirely on my own, was hard won after a determined and tedious effort to show all the elders that I was able to put the pin on to the record very carefully. And, every one in the house was an elder to me: my siblings, cousins, uncle, his wife, not to mention my parents (who were the last ones to be satisfied). But once the recognition arrived, I used it to the hilt; I must have ended up playing this record for at least 5 times for every remaining day of the vacation back then.

As far as I am concerned, I am entirely positive that appreciation for a certain style or kind of music isn’t determined by your environment or the specific culture in which you grow up.

As far as songs like these are concerned, today I am able to discern that what I had immediately though indirectly grasped, even as a 6–7 year old child, was what I today would describe as a certain kind of an “epistemological cleanliness.” There was a clear adherence to certain definitive, delimited kind of specifics, whether in terms of tones or rhythm. Now, it sure did help that this tune was happy. But frankly, I am certain, I would’ve liked a “clean” song like this one—one with very definite “separations”/”delineations” in its phrases, in its parts—even if the song itself weren’t to be so directly evocative of such frankly happy a mood. Indian music, in contrast, tends to keep “continuity” for its own sake, even when it’s not called for, and the certain downside of that style is that it leads to a badly mixed up “curry” of indefinitely stretched out weilings, even noise, very proudly passing as “music”. (In evidence: pick up any traditional “royal palace”/”kothaa” music.) … Yes, of course, there is a symmetrical downside to the specific “separated” style carried by the Western music too; the specific style of noise it can easily slip into is a disjointed kind of a noise. (In evidence, I offer 90% of Western classical music, and 99.99% of Western popular “music”. As to which 90%, well, we have to meet in person, and listen to select pieces of music on the fly.)

Anyway, coming back to the present song, today I searched for the original soundtrack of “Come September”, and got, say, this one [^]. However, I am not too sure that the version I heard back then was this one. Chances are much brighter that the version I first listened to was Billy Vaughn’s, as in here [^].

… A wonderful tune, and, as an added bonus, it never does fail to take me back to my “salad days.” …

… Oh yes, as another fond memory: that vacation also was the very first time that I came to wear a T-shirt; my Mama had gifted it to me in that vacation. The actual choice to buy a T-shirt rather than a shirt (+shorts, of course) was that of my cousin sister (who unfortunately is no more). But I distinctly remember she being surprised to learn that I was in no mood to have a T-shirt when I didn’t know what the word meant… I also distinctly remember her assuring me using sweet tones that a T-shirt would look good on me! … You see, in rural India, at least back then, T-shirts weren’t heard of; for years later on, may be until I went to Nasik in my 10th standard, it would be the only T-shirt I had ever worn. … But, anyway, as far as T-shirts go… well, as you know, I was into software engineering, and so….

Bye [really] for now and take care…]

# Is something like a re-discovery of the same thing by the same person possible?

Yes, we continue to remain very busy.

However, in spite of all that busy-ness, in whatever spare time I have [in the evenings, sometimes at nights, why, even on early mornings [which is quite unlike me, come to think of it!]], I cannot help but “think” in a bit “relaxed” [actually, abstract] manner [and by “thinking,” I mean: musing, surmising, etc.] about… about what else but: QM!

So, I’ve been doing that. Sort of like, relaxed distant wonderings about QM…

Idle musings like that are very helpful. But they also carry a certain danger: it is easy to begin to believe your own story, even if the story itself is not being borne by well-established equations (i.e. by physic-al evidence).

But keeping that part aside, and thus coming to the title question: Is it possible that the same person makes the same discovery twice?

It may be difficult to believe so, but I… I seemed to have managed to have pulled precisely such a trick.

Of course, the “discovery” in question is, relatively speaking, only a part of of the whole story, and not the whole story itself. Still, I do think that I had discovered a certain important part of a conclusion about QM a while ago, and then, later on, had completely forgotten about it, and then, in a slow, patient process, I seem now to have worked inch-by-inch to reach precisely the same old conclusion.

In short, I have re-discovered my own (unpublished) conclusion. The original discovery was may be in the first half of this calendar year. (I might have even made a hand-written note about it, I need to look up my hand-written notes.)

Now, about the conclusion itself. … I don’t know how to put it best, but I seem to have reached the conclusion that the postulates of quantum mechanics [^], say as stated by Dirac and von Neumann [^], have been conceptualized inconsistently.

Please note the issue and the statement I am making, carefully. As you know, more than 9 interpretations of QM [^][^][^] have been acknowledged right in the mainstream studies of QM [read: University courses] themselves. Yet, none of these interpretations, as far as I know, goes on to actually challenge the quantum mechanical formalism itself. They all do accept the postulates just as presented (say by Dirac and von Neumann, the two “mathematicians” among the physicists).

Coming to me, my positions: I, too, used to say exactly the same thing. I used to say that I agree with the quantum postulates themselves. My position was that the conceptual aspects of the theory—at least all of them— are missing, and so, these need to be supplied, and if the need be, these also need to be expanded.

But, as far as the postulates themselves go, mine used to be the same position as that in the mainstream.

Until this morning.

Then, this morning, I came to realize that I have “re-discovered,” (i.e. independently discovered for the second time), that I actually should not be buying into the quantum postulates just as stated; that I should be saying that there are theoretical/conceptual errors/misconceptions/misrepresentations woven-in right in the very process of formalization which produced these postulates.

Since I think that I should be saying so, consider that, with this blog post, I have said so.

Just one more thing: the above doesn’t mean that I don’t accept Schrodinger’s equation. I do. In fact, I now seem to embrace Schrodinger’s equation with even more enthusiasm than I have ever done before. I think it’s a very ingenious and a very beautiful equation.

A Song I Like:

(Hindi) “tum jo hue mere humsafar”
Music: O. P. Nayyar
Singers: Geeta Dutt and Mohammad Rafi
Lyrics: Majrooh Sultanpuri

Update on 2017.10.14 23:57 IST: Streamlined a bit, as usual.

/

# Off the blog. [“Matter” cannot act “where” it is not.]

I am going to go off the blogging activity in general, and this blog in most particular, for some time. [And, this time round, I will keep my promise.]

The reason is, I’ve just received the shipment of a book which I had ordered about a month ago. Though only about 300 pages in length, it’s going to take me weeks to complete. And, the book is gripping enough, and the issue important enough, that I am not going to let a mere blog or two—or the entire Internet—come in the way.

I had read it once, almost cover-to-cover, some 25 years ago, while I was a student in UAB.

Reading a book cover-to-cover—I mean: in-sequence, and by that I mean: starting from the front-cover and going through the pages in the same sequence as the one in which the book has been written, all the way to the back-cover—was quite odd a thing to have happened with me, at that time. It was quite unlike my usual habits whereby I am more or less always randomly jumping around in a book, even while reading one for the very first time.

But this book was different; it was extraordinarily engaging.

In fact, as I vividly remember, I had just idly picked up this book off a shelf from the Hill library of UAB, for a casual examination, had browsed it a bit, and then had began sampling some passage from nowhere in the middle of the book while standing in an library aisle. Then, some little time later, I was engrossed in reading it—with a folded elbow resting on the shelf, head turned down and resting against a shelf rack (due to a general weakness due to a physical hunger which I was ignoring [and I would have have to go home and cook something for myself; there was none to do that for me; and so, it was easy enough to ignore the hunger]). I don’t honestly remember how the pages turned. But I do remember that I must have already finished some 15-20 pages (all “in-the-order”!) before I even realized that I had been reading this book while still awkwardly resting against that shelf-rack. …

… I checked out the book, and once home [student dormitory], began reading it starting from the very first page. … I took time, days, perhaps weeks. But whatever the length of time that I did take, with this book, I didn’t have to jump around the pages.

The issue that the book dealt with was:

[Instantaneous] Action at a Distance.

The book in question was:

Hesse, Mary B. (1961) “Forces and Fields: The concept of Action at a Distance in the history of physics,” Philosophical Library, Edinburgh and New York.

It was the very first book I had found, I even today distinctly remember, in which someone—someone, anyone, other than me—had cared to think about the issues like the IAD, the concepts like fields and point particles—and had tried to trace their physical roots, to understand the physical origins behind these (and such) mathematical concepts. (And, had chosen to say “concepts” while meaning ones, rather than trying to hide behind poor substitute words like “ideas”, “experiences”, “issues”, “models”, etc.)

But now coming to Hesse’s writing style, let me quote a passage from one of her research papers. I ran into this paper only recently, last month (in July 2017), and it was while going through it that I happened [once again] to remember her book. Since I did have some money in hand, I did immediately decide to order my copy of this book.

Anyway, the paper I have in mind is this:

Hesse, Mary B. (1955) “Action at a Distance in Classical Physics,” Isis, Vol. 46, No. 4 (Dec., 1955), pp. 337–353, University of Chicago Press/The History of Science Society.

The paper (it has no abstract) begins thus:

The scholastic axiom that “matter cannot act where it is not” is one of the very general metaphysical principles found in science before the seventeenth century which retain their relevance for scientific theory even when the metaphysics itself has been discarded. Other such principles have been fruitful in the development of physics: for example, the “conservation of motion” stated by Descartes and Leibniz, which was generalized and given precision in the nineteenth century as the doctrine of the conservation of energy; …

Here is another passage, once again, from the same paper:

Now Faraday uses a terminology in speaking about the lines of force which is derived from the idea of a bundle of elastic strings stretched under tension from point to point of the field. Thus he speaks of “tension” and “the number of lines” cut by a body moving in the field. Remembering his discussion about contiguous particles of a dielectric medium, one must think of the strings as stretching from one particle of the medium to the next in a straight line, the distance between particles being so small that the line appears as a smooth curve. How seriously does he take this model? Certainly the bundle of elastic strings is nothing like those one can buy at the store. The “number of lines” does not refer to a definite number of discrete material entities, but to the amount of force exerted over a given area in the field. It would not make sense to assign points through which a line passes and points which are free from a line. The field of force is continuous.

See the flow of the writing? the authentic respect for the intellectual history, and yet, the overriding concern for having to reach a conclusion, a meaning? the appreciation for the subtle drama? the clarity of thought, of expression?

Well, these passages were from the paper, but the book itself, too, is similarly written.

Obviously, while I remain engaged in [re-]reading the book [after a gap of 25 years], don’t expect me to blog.

After all, even I cannot act “where” I am not.

A Song I Like:

[I thought a bit between this song and another song, one by R.D. Burman, Gulzar and Lata. In the end, it was this song which won out. As usual, in making my decision, the reference was exclusively made to the respective audio tracks. In fact, in the making of this decision, I happened to have also ignored even the excellent guitar pieces in this song, and the orchestration in general in both. The words and the tune were too well “fused” together in this song; that’s why. I do promise you to run the RD song once I return. In the meanwhile, I don’t at all mind keeping you guessing. Happy guessing!]

(Hindi) “bheegi bheegi…” [“bheege bheege lamhon kee bheegee bheegee yaadein…”]
Music and Lyrics: Kaushal S. Inamdar
Singer: Hamsika Iyer