Flames not so old…

The same picture, but two American interpretations, both partly misleading (to varying degrees):

NASA releases a photo [^] on the FaceBook, on 24 August at 14:24, with this note:

The visualization above highlights NASA Earth satellite data showing aerosols on August 23, 2018. On that day, huge plumes of smoke drifted over North America and Africa, three different tropical cyclones churned in the Pacific Ocean, and large clouds of dust blew over deserts in Africa and Asia. The storms are visible within giant swirls of sea salt aerosol (blue), which winds loft into the air as part of sea spray. Black carbon particles (red) are among the particles emitted by fires; vehicle and factory emissions are another common source. Particles the model classified as dust are shown in purple. The visualization includes a layer of night light data collected by the day-night band of the Visible Infrared Imaging Radiometer Suite (VIIRS) on Suomi NPP that shows the locations of towns and cities.

[Emphasis in bold added by me.]

For your convenience, I reproduce the picture here:

Aerosol data by NASA

Aerosol data by NASA. Red means: Carbon emissions. Blue means: Sea Salt. Purple means: Dust particles.

Nicole Sharp blogs [^] about it at her blog FYFD, on Aug 29, 2018 10:00 am, with this description:

Aerosols, micron-sized particles suspended in the atmosphere, impact our weather and air quality. This visualization shows several varieties of aerosol as measured August 23rd, 2018 by satellite. The blue streaks are sea salt suspended in the air; the brightest highlights show three tropical cyclones in the Pacific. Purple marks dust. Strong winds across the Sahara Desert send large plumes of dust wafting eastward. Finally, the red areas show black carbon emissions. Raging wildfires across western North America are releasing large amounts of carbon, but vehicle and factory emissions are also significant sources. (Image credit: NASA; via Katherine G.)

[Again, emphasis in bold is mine.]

As of today, Sharp’s post has collected some 281 notes, and almost all of them have “liked” it.

I liked it too—except for the last half of the last sentence, viz., the idea that vehicle and factory emissions are significant sources (cf. NASA’s characterization):

My comment:

NASA commits an error of omission. Dr. Sharp compounds it with an error of commission. Let’s see how.

NASA does find it important to mention that the man-made sources of carbon are “common.” However, the statement is ambiguous, perhaps deliberately so. It curiously omits to mention that the quantity of such “common” sources is so small that there is no choice but to regard it as “not critical.” We may not be in a position to call the “common” part an error of commission. But not explaining that the man-made sources play negligible (even vanishingly small) role in Global Warming, is sure an error of omission on NASA’s part.

Dr. Sharp compounds it with an error of commission. She calls man-made sources “significant.”

If I were to have an SE/TE student, I would assign a simple Python script to do a histogram and/or compute the densities of red pixels and have them juxtaposed with areas of high urban population/factory density.

This post may change in future:

BTW, I am only too well aware of the ugly political wars being waged by a lot of people in this area (of Global Warming). Since I do appreciate Dr. Sharp’s blog, I would be willing to delete all references to her writing from this post.

However, I am going to keep NASA’s description and the photo intact. It serves as a good example of how a good visualization can help in properly apprehending big data.

In case I delete references to Sharp’s blog, I will simply add another passage on my own, bringing out how man-made emissions are not the real cause for concern.

But in any case, I would refuse to be drawn into those ugly political wars surrounding the issue of Global Warming. I have neither the interest nor the bandwidth to get into it, and further, I find (though can’t off-hand quote) that several good modelers/scientists have come to offer very good, detailed, and comprehensive perspectives that justify my position (mentioned in the preceding paragraph). [Off-hand, I very vaguely remember an academic, a lady, perhaps from the state of Georgia in the US?]

The value of pictures:

One final point.

But, regardless of it all (related to Global Warming and its politics), this picture does serve to highlight a very important point: the undeniable strength of a good visualization.

Yes I do find that, in a proper context, a picture is worth a thousand words. The obvious validity of this conclusion is not affected by Aristotle’s erroneous epistemology, in particular, his wrong assertion that man thinks in terms of “images.” No, he does not.

So, sure, a picture is not an argument, as Peikoff argued in the late 90s (without using pictures, I believe). If Peikoff’s statement is taken in its context, you would agree with it, too.

But for a great variety of useful contexts, as the one above, I do think that a picture is worth a thousand words. Without such being the case, a post like this wouldn’t have been possible.

A Song I Like:
(Hindi) “dil sajan jalataa hai…”
Singer: Asha Bhosale
Music: R. D. Burman [actually, Bertha Egnos [^]]
Lyrics: Anand Bakshi

Copying it right:

“itwofs” very helpfully informs us [^] that this song was:

Inspired in the true sense, by the track, ‘Korbosha (Down by the river) from the South African stage musical, Ipi Ntombi (1974).”

However, unfortunately, he does not give the name of the original composer. It is: Bertha Egnos (apparently, a white woman from South Africa [^]).

“itwofs” further opines that:

Its the mere few initial bars that seem to have sparked Pancham create the totally awesome track [snip]. The actual tunes are completely different and as original as Pancham can get.

I disagree.

Listen to Korbosha and to this song, once again. You will sure find that it is far more than “mere few initial bars.” On the contrary, except for a minor twist here or there (and that too only in some parts of the “antaraa”/stanza), Burman’s song is almost completely lifted from Egnos’s, as far as the tune goes. And the tune is one of the most basic—and crucial—elements of a song, perhaps the most crucial one.

However, what Burman does here is to “customize” this song to “suit the Indian road conditions tastes.” This task also can be demanding; doing it right takes a very skillful and sensitive composer, and R. D. certainly shows his talents in this regard, too, here. Further, Asha not only makes it “totally, like, totally” Indian, she also adds a personal chutzpah. The combination of Egnos, RD and Asha is awesome.

If the Indian reader’s “pride” got hurt: For a reverse situation of “phoreenn” people customizing our songs, go see how well Paul Mauriat does it.

One final word: The video here is not recommended. It looks (and is!) too gaudy. So, even if you download a YouTube video, I recommend that you search for good Open Source tools and use it to extract just the audio track from this video. … If you are not well conversant with the music software, then Audacity would confuse you. However, as far as just converting MP4 to MP3 is concerned, VLC works just as great; use the menu: Media \ Convert/Save. This menu command works independently of the song playing in the “main” VLC window.

Bye for now… Some editing could be done later on.